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Four high school students in detention have to clean the basement of their school. They find an old console with the video game Jumanji. By lighting the console, they each choose an avatar and find themselves transported to the jungle.Watch Jumanji: Welcome to the Jungle Online, During their adventures high school students will discover the home of Alan Parrish (The boy of the first film) where he was trapped for 26 years they will discover what he felt and left clues. They will have to change their visions of themselves and life and win the game to avoid being stuck forever.

Among the films that marked the young born in the late 80s, Jumanjiremains a unifying totem in addition to a full chapter in the digital revolution through innovative special effects for the time. Its popularity is comparable to the old fad that has suffered its digital incrustations, it is not surprising that Hollywood studios, whose inability to find new ideas has become legendary, choose to make it remake.Watch Jumanji: Welcome to the Jungle Online, However, the CGIs produced by ILM, the firm of George Lucas, are not the only reason for this success: the presence of Robin Williams, who reached the peak of its notoriety, was also for many. The first decision of the producers, which was to replace it with one of the few actors who is also bankable todaythat Alan Parrish's interpreter was at the time, says a lot about the evolution of cinema in twenty years, since it is about Dwayne Johnson, icon of the action movie under its most unbureaucrated form.

The only presence of the star, seen this year in Fast & Furious 8 and Baywatch, seems to justify on its own the concept on which this replay is based: that of replacing the board game with a video game and thus make credible the physical virile hero of his main character. This modernization is both the good idea and the main limit of this new adventure.Watch Jumanji: Welcome to the Jungle Online, Good idea because it allows to use and to divert codes that will speak to the young public to whom the film is addressed. Main imitates because no scenario based on a video game has ever been able to create an exciting dramaturgy, and it is certainly not Jumanji: Welcome to the jungle that will establish itself as a model in the field of the creation of issues and emotional intensity from a video-game construction!

The central difference implied by the mutation of the electronic cartridge dice game in the first minutes of the film is that the fantastic argument is no longer the immersion of the elements of the game in reality but, conversely, that of players in a virtual universe. What was the basis of all the comic elements and the adventure of the first opus is thus replaced by the canting between standard high school students and their alter ego.Watch Jumanji: Welcome to the Jungle Online, Director Jake Kasdan's passions as a disciple of Judd Appatow and that of the writers (who had recently collaborated on the occasion of Spider-man: Homecoming ) foreshadowed that their work would move towards a bitter-sweet satire of current youth.

Unsurprisingly, the quartet formed by Alex Wolff, Madison Iseman, Ser'Darius Blain and Morgan Turner is indeed a painting, certainly very caricatural, but quite significant of the generation to which the feature film is directed. These archetypes of their time will however be present on the screen only twenty minutes on the two hours of film; the bulk of the time is given to their virtual avatars, which also represent pure caricatures, specific to adventure cinema and its video-ludic versions.Watch Jumanji: Welcome to the Jungle Online, This gap between modern stereotypes and old-fashioned should allow to speak to a wider audience than the only spectators of the age of the heroes since the humor is born precisely from the openly grotesque character of the clichés with which this scenario plays.

The opposition between the cartoons that are high school students and those who are their alter egos, although lacking finesse, it allows some comical situations and a morality well-thinking. It is essentially the interpretation of Jack Black, who lends his features to a bimbo, which is at the origin of the most comical passages of the film.Watch Jumanji: Welcome to the Jungle Online, Conversely, we would have expected Kevin Hart a more funny performance. Without doubt it was not the best choice to embody a side-kickpuny, his silhouette being quite barren by nature (less of course than Dwayne Johnson, beside which the director is forced to film him every time he wants to recall his so-called physics freluquet), but it allows at least recall the derisory nature of the cliché making the African-American band an inevitable stooge.

The more advantageous physics that Dwayne Johnson, Karen Gillan, but also Nick Jonas, respectively lend to their characters who are each, in the real world, teenagers badly in their skin, makes it possible to develop a consensus discourse on the fact that you do not have to trust appearances to judge others.Watch Jumanji: Welcome to the Jungle Online, A lesson of good conduct somewhat heavy in the romantic arc that binds the two nerds transformed for the occasion supermen, but slightly more touching in the way it allows the character of Bethany -the famous bimbo, which lives only by the filter of social networks - to learn to go beyond the superficiality that characterizes it ... and yet, ironically, this redemptive track is not carried to completion.

The adventure in itself is more basic, victim once again of a narrative construction modeled on a boat gameplay and too much time granted to the explanation of its rules, and does not propose any special effects that have vocation to revolutionize the genre. Definitely, and because it is much less funny and especially less moving than the original, this Jumanji new version, does not stand the distance to the inevitable comparison to the original.Watch Jumanji: Welcome to the Jungle Online, Nevertheless, it remains an entertainment that will entertain a young audience likely to find themselves in the archetypes that represent the main characters and / or who will see the many references video-games like so many private jokes.

For their parents, or any other more mature spectator, they can at least play to confront the two feature films and thus get an idea of ​​the evolution undergone by genre cinema during the twenty years that separate them. In fact, his writing, and in particular the space charged with self-deprecation by his heroic figures, speaks volumes about the now pathological need of spectators to have pre-established heroes to be attached to.Watch Jumanji: Welcome to the Jungle Online, The humorous treatment with which scriptwriters have responded to this need is also symptomatic of how the second degree has become the driving force of any adventure comedy, even if it now prevents the genre from being the bearer of stakes that can be taken seriously.

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It was the sequel for which no one was asking. 1995's Jumanji is a family classic, forever remembered for pushing the boundaries of CG, and Robin Williams' madcap jungle man performance, as a magical board game turns middle America into a pulp magazine-style safari park.

But just as in the film, and the original book by Chris Van Allsburg, this cursed board game is wily, and waits for new players. But board game no more: When Nineties kids are too cool for dice, it becomes a video game, hiding its secrets in a cartridge (look it up, kids).Watch Jumanji: Welcome to the Jungle Online, This time, a quartet of modern high schoolers get trapped in its rules, but rather than the world of Jumanji coming to them, they get sucked through the console into the jungle and become the avatars they selected. Nerdy gamer Spencer (Wolff) becomes brawny action tough guy Dr. Smolder Bravestone (Johnson), while his former best friend Fridge (Blain) loses a foot and a half in height and all his football hero strength as Franklin "Moose" Finbar (Hart). Academic outsider Martha (Turner) goes full Lara Croft as Ruby Roundhouse (Gillan). However, it's a Nineties video game, so inevitably there is only one female character, and so selfie-obsessed Bethany (Iseman) ends up in the portly form of cartographer Prof. Shelly Oberon (Black).

The broad and plentiful comedy is in the switcheroo, as Guardians of the Galaxy star Gillan and the man formerly known as the Rock, aka two of the hottest people on the planet, get to play awkward teens. Black in particular relishes channeling his inner future sorority girl, who seemingly was never that far under the skin.Of course, the original Jumanji had its fair share of menace, and Welcome to the Jungle does not spare the danger.Watch Jumanji: Welcome to the Jungle Online, Video game rules apply, so each character starts off with three lives that are lost all too readily, and often hilariously. Getting mauled by jaguars, or stampeded by rhinos, is less glamorous than it sounds. Yet underlying everything, the game is still the same. There's a new Van Pelt (Cannavale), a lost boy in the jungle (Jonas), a quest to fulfill. This game is on rails, but it's a heck of a lot of fun.

Kasdan injects this all with vigor and breezy humor, as this digital Breakfast Club learns to get along. This is undeniably recognizable Jumanji, with its cartoonish swashbuckling, and rampaging African wildlife.Watch Jumanji: Welcome to the Jungle Online, Yet what makes this a true high adventure is that it catches the details and nuances of what made Nineties multiplayer console games so infectious and frustrating. Cinematic act structure is replaced by level design, and there are NPCs to confuse and assist. Strip away the characters, and this is the most badass Pitfall! reboot you never played.

Joe Johnston’s 1995 Jumanji took a bunch of kids, transported them to a magical world full of perils and had a big, brash and mildly amusing time with it.Jake Kasdan’s 2017 Jumanji: Welcome to the Jungle takes a bunch of kids, transports them to a magical world full of perils, turns them into human avatars and has a big brash and mildly amusing time with it.Watch Jumanji: Welcome to the Jungle Online, Where the 90s film used a board game as the plot device, 2017’s version is slightly updated with a video game that pulls four teenagers into its virtual realm. Presumably in 20 years there’ll be another Jumanji, with a virtual reality game that has magical pulling powers. Dated video game technology aside, the film takes the concept of the original film and adds a modernising twist.

This time around, the teenage characters take the form of adult humans, and must complete the tasks to escape the world of Jumanji as these avatars. This is a great choice for a number of reasons; not least because it means we don’t have to watch children be shot, killed or objectified (is there any reason Karen Gillan’s character runs around the jungle in a crop top and hot pants, while the male characters are clad in multiple destination-appropriate layers?). It also means an A-list cast gets the humorous job of pretending to be overgrown teenagers, to surprisingly funny effect.

In the ‘real world’, nerdy Spencer (Alex Wolff), jock Fridge (Ser’Darius Blain), vain Bethany (Madison Iseman) and introvert Martha (Morgan Turner) are thrown into detention, and before long abandon their assigned task to play the mysterious Jumanji video game.Watch Jumanji: Welcome to the Jungle Online, They are pulled by an unexplained force into the game, and transformed into their avatars to live out the game irl (as the kids would say).Spencer is Dr Smolder Bravestone (Dwayne Johnson), Fridge is Moose Finbar (Kevin Hart), Martha is Ruby Roundhouse (Karen Gillan) and Bethany is Professor Shelley Oberon (Jack Black). Part of the film’s humour comes in the disparity between the real-life teens and their virtual characters, and there’s a lot of body-swap humour to be enjoyed (or endured).The film is generally pretty fun and very silly, if quite pointless and unassuming. It’s unlikely to win many awards or become a cult classic, but it’s a perfectly fine way to spend a semi-entertaining afternoon.

Those of you familiar with video games will understand some of the conventions employed here – each character gets three lives, and the group has a series of pre-determined tasks to complete and obstacles to overcome before they can win/escape. There’s some fun to be had with the introduction of NPC (non-player character) Nigel (Rhys Darby),Watch Jumanji: Welcome to the Jungle Online, and the introduction of Jefferson McDonough (Nick Jonas), the avatar of a player who has been trapped in the game for quite some time.Given the almost-meta video-game references, one could suggest that Ruby’s costume (as we’ve mentioned, it’s made up of very little) could be a satirical look at the way Lara Croft et al have traditionally been clothed in video games, but the script isn’t clever enough to assume this is the case, and it’s certainly not clever enough to convey this in any way. And really, all it means is that Gillan ends up wearing at least 60% less clothing than all the other actors on-screen. Elsewhere, the ‘believe in yourself’, ‘it’s what’s inside that counts’ message is corny, and clichéd and a bit grating, but that’s Hollywood. And it is Christmas, after all.

Ultimately the film works because a talented cast of charmingly funny actors get to play kids trapped in adult bodies; there’s enough time for some endearing, if fleeting, moments of exposition and character growth, and of course by the end everyone’s learned a little bit about themselves, which is nice. Less touching,Watch Jumanji: Welcome to the Jungle Online, but much more funny, are the scenes in which Bethany has to get to grips with being stuck inside the body of a rotund, middle-aged man; Black does his usual good work with a rich amount of physical and literal toilet comedy that’s simple enough to amuse children but well-executed enough to keep parents entertained, too.All-in-all, this is a pretty inoffensive, fairly funny film that’s got a few nice lines, some big laughs and lots and lots (and lots) of cultural references and homages. This won’t make it onto any ‘Films of 2017’ lists – and not just because it’s mid-December; but it’s an enjoyable way to while away a few hours. This will be a fun-filled Boxing Day ITV2 film in years to come; it’s not a total cracker, but it’s far from a turkey.

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The kind of dopey performance funfair that one might expect from a contemporary reboot of a family classic, “Jumanji: Welcome to the Jungle” is yet another cash before creativity blockbuster, proving just a tad better than the average Christmas turkey but far from in the realm of tasteful viewing.Watch Jumanji: Welcome to the Jungle Online, Appealing to the lowest common denominator with impossible made-for-3D action sequences and rustic comedy, the film sees a jungle kerfuffle set to the familiar stomp of a popular mid-90s adventure movie, doing the bare minimum to earn its title while languidly referencing a familiar subject matter and letting the advertising do the rest of the work.

Asserting its place as part of a newly envisioned franchise yet stumbling at the first hurdle with an in-game universe that pales in comparison to Chris Van Allsburg’s original picture book, “Jumanji: Welcome to the Jungle” feels inadvertently blasé in its disrespect for the story’s primary selling points, utilising a well-known game and a recognisable name but struggling to justify its relocation to a once off-screen jungle setting.Watch Jumanji: Welcome to the Jungle Online, Missing the mischief of table-top monkeys and small town stampedes, the film relies almost entirely on the interactive qualities of its players, acing it on a gender-swapped Jack Black whose fabulous performance is matched only by the tangible discomfort seen on Dwayne Johnson’s face as he struggles to feel at home inside his Action Man body.

An embarrassing reminder of how times have changed and what we’ve lost in the process, “Jumanji: Welcome to the Jungle” scoffs at the past and hides from a ludicrous comic villain, jumping between levels without a concrete structure and encapsulating almost every aspect of a distracted, self-obsessed millennial culture.Watch Jumanji: Welcome to the Jungle Online, Written for the bargain bin and likely to date easily as the years go by, “Jumanji” is the product of a spit-up screenplay with few ambitions; a container for two hours of heroic tomfoolery, a few forgettable laughs and some predictable out-of-body romance.

The sequel to the much loved original Jumanji is due to be released this December. With a release date of the 20th in the UK, it’s firmly set it’s eyes on the demographic of young children and the families over the Christmas holidays. After the sad passing of Robin Williams, the sequel looked set to be dead but with a new direction and cast, Jumanji is back.Watch Jumanji: Welcome to the Jungle Online, But does it follow on well from the 90’s family classic?Starring an all star cast of Dwayne Johnson, Kevin Hart, Karen Gillan and Jack Black, the film has done well to cast the big stars of now. Following a bunch of school kids in detention, they discover an old school gaming system with a game cartridge in the system titled “Jumanji”. After they all decide to play the game and pick their characters, they are sucked into the game and become the characters they chose.

Dwayne Johnson, as always, leads the film and is the big hero that everyone looks up to. He doesn’t add anything special in particular to the film, he simply is the muscles of the movie. Kevin Hart, who for me is very hit and miss actually entertains. His character struggles to adapt from being a 6ft+ jock to a very small and useless character.Watch Jumanji: Welcome to the Jungle Online, His constant put downs of himself were one of the films biggest laughs. Karen Gillan comes across as a strong, bad ass woman that doesn’t pull back the punches, slightly undermined by her skimpy outfit in the film whilst everyone else is covered is an issue that did seem to bother me. Even though they try to make a valid excuse as to why she’s dressed the way she is, it still doesn’t feel right. Jack Black is a standout though, not having all too much to do and is slightly overshadowed by others as they provide more screen time, Black does well whenever he’s on screen and provides many laughs.

For the film itself, I actually think it’s a great concept. Adapting the film towards a more modern feel by changing it from a board game to a video game. But one of the greatest things about the original was seeing the actual board itself cause magic and mayhem. Not seeing the physical form of Jumanji itself is one that does bother me.Watch Jumanji: Welcome to the Jungle Online, You could easily take away the title of Jumanji and you would never really know that it’s a sequel to the Robin Williams classic.The film, to its credit, does do its job by entertaining you and providing frequent laughs. Whether it’s a film that will age like its predecessor is another matter but it’s one that will provide entertainment for all ages this Christmas. 3 out of 5 stars.

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Twenty-two years ago, the original Jumanji ended with the titular board game lying half buried on a beach. Jumanji: Welcome to the Jungle, the much belated follow-up, begins with the same image.Watch Jumanji: Welcome to the Jungle Online, A father retrieves the Jumanji box from the sand and takes it home to his son Alex, who promptly ignores it in favor of his very 1996-looking home video game system. Not content to be set aside, Jumanji transforms itself into a more appealing video game cartridge. His interest now piqued, Alex pops in the game, presses play, and … you can guess what happens next.

Or can you? After all, it’s been a long, long time since Robin Williams ran through the streets battling hordes of mischievous monkeys and avoiding stampeding rhinos.Watch Jumanji: Welcome to the Jungle Online, And while some fans consider it a classic, how many people under the age of 25 even recognize the name Jumanji, much less remember that it is a possibly sentient game that traps people in its fantasy world for mostly benevolent purposes? Jumanji: Welcome to the Jungle sort of assumes everyone remembers that, at least at the beginning.

Newbies need not be concerned, though. Other than the initial setup, which the film does eventually get around to explaining, and a small mention of Robin Williams’ original character, there is nothing in Welcome to the Jungle that requires any knowledge of the first movie. The movie tips its hat to nostalgia rather quickly and then moves on.

As such, we quickly arrive in the present day where four disparate high-schoolers, in tried and true Breakfast Club fashion, are being sentenced to detention by their principal in hopes that it will help them contemplate what kind of people they want to be for the rest of their lives.Watch Jumanji: Welcome to the Jungle Online, Rather than do that, though, the four stumble across Alex’s old game system and decide to play Jumanji instead.

This is the point where Welcome to the Jungle goes its entirely own way. In the first film, players had to face Jumanji’s challenges in the real world. This time around our protagonists find themselves transported into the video game itself where they appear as the likenesses of the characters they have chosen to play.

The nerdy milquetoast Spencer becomes the dashing and muscular Dr. Smolder Bravestone (Dwayne ‘The Rock” Johnson). The school’s star football player Fridge is transformed into weakling zoologist Mouse Finbar (Kevin Hart).Watch Jumanji: Welcome to the Jungle Online, The socially awkward Martha is now a butt-kicking Lara Croft lookalike named Ruby Roundhouse (Karen Gillan). Perhaps most startling of all, the narcissistic Bethany finds herself forced into the decidedly non-female form of portly Professor Sheldon Oberon (Jack Black). To round out the team, they are soon joined by the still trapped Alex, who has been stuck in Jumanji for 20 years as the roguish pilot Seaplane McDonough (Nick Jonas).

Story-wise, it’s a clever if somewhat obvious move. Much like the school principal, Jumanji desires that our heroes confront their own weaknesses.Watch Jumanji: Welcome to the Jungle Online, It makes them do so by forcing the kids to play as their polar opposites. Spencer has to be brave, Fridge has to rely on book knowledge, Martha has to become outgoing, and Bethany … well, it’s hard to coast along on your looks when you’re stuck in the body of the guy who played Nacho Libre. Box office-wise, it’s a brilliant ploy, as it allows our gang of vaguely familiar teens to be replaced for most of the movie by a bevy of bankable faces.

The body switch is also where most of the humor in the movie is derived. It’s admittedly fun watching the hulking Johnson, who is obviously having a blast playing against type, run in terror at the sight of a squirrel.Watch Jumanji: Welcome to the Jungle Online, Black’s character earns the movie its PG-13 rating as much mirth is made out of her exploring her new male anatomy. Don’t worry, parents, it never gets too crude. As for Kevin Hart, he plays Kevin Hart, so him just standing there generates laughs.

Now there has been some minor online controversy surrounding Gillan’s character. Feminists who have apparently never played a video game before have taken umbrage at Jumanji requiring Ruby Roundhouse to use her womanly assets to distract opponents before being allowed to unleash her dubious skill of dance-fighting. In their rush to declare the movie sexist, they seem wholly unaware that this is actually a satire of some of the sexist trappings built into modern video games. Ah well, some people just can’t laugh.

Most everyone else will, though. Where the original Jumanji was heavy on adventure, this new take relies more on jokes, most of which work thanks to the cast involved.Watch Jumanji: Welcome to the Jungle Online, So, while there is nothing special about Jumanji: Welcome to the Jungle, it’s entirely successful as a throwaway piece of entertainment. In the years to come, no one may remember it as fondly as the original, but they don’t all have to be classics.

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More than 20 years after 1995’s Jumanji — the family adventure film about a couple of kids who get sucked into an ancient board game and have to play it to completion to escape — the sequel has arrived… and this time, it’s all about hapless teens who get sucked into a videogame and have to play it to completion to escape.Watch Jumanji: Welcome to the Jungle Online Was anyone demanding a second go at Jumanji? Zathura, the 2005 “spiritual sequel” — which, to be fair, does sound more like marketing baloney than anything else — was a flop. And, to be “fair” to Jumanji: Welcome to the Jungle, it feels more like a poor go at shoehorning The Rock into yet another action-adventure comedy. You know, for kids. This is, I suspect, an attempt to recapture the unfathomable box-office success of 2012’s deeply terrible Journey 2: The Mysterious Island more than it is even a “spiritual sequel” to Jumanji.

But what’s that? You thought I said Jungle was about teenagers? Haha LOL *sob*. It is. You see, the thing that is “funny” here — like, it’s meant to be abso-freakin’-lutely hi-larious — is how the kids end up in the adult bodies of the in-game avatars. After a brief opening sequence in which the high-schoolers are played by the more normally unlikely array of 20-something actors (one is even 30 years old), their adolescent ids and neuroses and angsts are poured into the forms of Dwayne Johnson (Baywatch, The Fate of the Furious),Watch Jumanji: Welcome to the Jungle Online Jack Black (Goosebumps, The D Train), Kevin Hart (Captain Underpants: The First Epic Movie, The Secret Life of Pets), and Karen Gillan (Guardians of the Galaxy Vol. 2, The Big Short). (Ironically, 30-year-old Gillan is, according to Hollywood, equally suited to be playing a junior prom queen. But that’s more an accidental commentary on the very narrow range of acceptable ages for women onscreen than anything else. So many aspects of this movie are more akin to something other than what it intends to be. This movie is culturally clueless corporate cinematic vomit already, and I haven’t even gotten to the worst stuff yet.)

Anyway, the kids — played by Alex Wolff (Patriots Day, My Big Fat Greek Wedding 2), Madison Iseman, Ser’Darius Blain (Camp X-Ray, Star Trek Into Darkness), and Morgan Turner (The Sisterhood of Night, Remember Me) — are a motley batch thrown together while serving detention; they mostly don’t know and/or like each other, the better to whip up a side order of “reluctant” for the buddy comedy to come. While cleaning out a school storeroom,Watch Jumanji: Welcome to the Jungle Online, they come across an ancient — from, like the 90s, OMG — console and start playing the Indiana Jones-lite adventure, something to do with finding a sacred jewel in order to lift a curse, blah blah blah. Which somehow transports them into the game’s environment, in the bodies of the game characters. As they traipse through the jungle solving nonsensical late-90s videogame puzzles — in sequences directed by Jake Kasdan (Sex Tape, Bad Teacher) with all the verve of an adventure-themed ad for breakfast cereal — this Jumanji literally becomes like watching people play a videogame… a 20-year-old fourth-rate game at that.

The idea of tossing characters into a game and forcing them to play is problematic in a few big ways. The stakes are really low, for one. They quickly learn that they can “die” in the game, but also that they instantly respawn.Watch Jumanji: Welcome to the Jungle Online, Sure, they also learn that, as you might expect, they get only three lives, but that’s a helluva lot more than you’d get in an adventure in the real world. (Comedic irony alert! Their school principal, when scolding them over the poor choices that led them to detention in the first place, sagely imparted a bit of adult advice: “You get one life.” Little did he know!) Worse, we never have any idea what would happen if they used up all three of their lives and game-overed; they might just go back to the real world, for all we (and they) know. (That would have made for a shorter movie, at least.) The “message” of the movie is that the kids are supposedly learning stuff in the game that will be useful in the real world, like gaining confidence, but nothing they do in the game actually draws on their own personalities and talents: they’re just using the gameplay “skills” they’ve been assigned, like reading maps or “dance fighting” (*barf*).

But never mind. The whole shebang is little more than an excuse to have Johnson, Black, Gillan, and Hart run around acting like the “hilariously” “opposite” teens occupying the avatars they represent: The Rock is actually clumsy, scared skinny nerd Spencer, for instance, and isn’t that just a riot; a mincing Black is actually pretty, popular Bethany (sample dialogue: “I like can’t even with this place”). And then the movie thinks it’s piling on additional comedy when everyone defies those stereotypes. Jumanji is, contrary to its bright and goofy surface, a cynical undertaking in embracing the most diminishing clichés that it can apply to its characters and then asking us to cheer at halfhearted swats at them. The most egregious is the attire that Gillan’s avatar is saddled with: she is half naked in a teeny miniskirt and a cleavage- and midriff-baring, all-but-sleeveless top, while the men are dressed much more reasonably to the jungle. She complains about it, as well she should.Watch Jumanji: Welcome to the Jungle Online, But the meta “excuse” for her clothing — it’s clearly a riff on 1996’s similarly half-naked jungle VG adventurer Lara Croft — only makes it all even worse. The movie wants to have its wokeness about the absurd sexualization of female videogame (and movie) characters, and it wants its absurdly sexualized female character, too. So uncool.

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It is unconscionable that as late as 2017, the United States has taken precisely zero substantive steps toward the prevention of Jumanji crises. These have come steadily, every couple of decades, since the 1981 publication of Chris Van Allsburg’s picture book, which warned — in glorious gray-toned, frozen-time illustrations that echo Pierre Roy in their domestic surrealism and anticipate Pixar in their plasticity — of the dangers of a vintage board game that could set rhinos and lions loose in your home. 

Then came the 1995 film, in which that game unleashes a zoo’s worth of jungle beasts to stampede through a mansion’s library and out into a cozy New Hampshire village, destroying books and lives and property values. And now, in 2017, the clamorous Jumanji: Welcome to the Jungle reports that the terror has gone digital, no longer bound to last century’s game boards and dice rolls.Watch Jumanji: Welcome to the Jungle Online, As crowds gather this holiday season to behold the harrowing of yet another batch of young people at the paws (and tusks) of rampant wildlife, I have to ask: How many more lives and homes must this game destroy before we see some common-sense regulation?

If Jumanji were real, of course, and laying waste to our mansions and young people, the U.S. wouldn’t do jack about it. Politicians and media figures would make it a wedge lifestyle issue, insisting that coastal Catan-loving elites shouldn’t tell Real America what it can and can’t play.Watch Jumanji: Welcome to the Jungle Online, 4channers and Gamergaters would dox any woman who dared publicly denounce getting pelican-pecked or hippo-stomped. The president would squeeze out a tweet defending “our beautiful gaming heritage” while Proud Boy deplorables would search their attics and basements for the jungle-board game hell-boxes they’ll insist can only be taken from their cold, dead hands. Donald Trump Jr. would track down a copy just for the chance to shoot some lions. In short, we’re a nation that would be too dumb to ban a game that sics rhinoceroses on children, so, of course, it makes sense that we’re also a nation where it’s profitable to occasionally pump out a big dumb Jumanji movie.

The new one is bigger and dumber than the previous one — a feat, considering the relentless clatter of the 1995 iteration, which had as much to do with the look and feel of its source material as The Hobbit: The Battle of the Five Armies did with the writing of J.R.R. Tolkien. Jumanji 2017 is inspired not by Van Allsburg’s book, but by Jumanji ’95.Watch Jumanji: Welcome to the Jungle Online, This time, the kids-to-be-harrowed — a squad of bickering, single-trait high schoolers — turn their noses up at the very idea of playing a board game. Eagerly synergistic, Jumanji obliges, somehow transmuting itself into a form they will find more appealing: a 16-bit video game cartridge. As in It, the source material’s nostalgic touchstones have been chucked out in favor of more recent ones, a cycle that will no doubt find the young folks of Jumanji 2035 discovering an iPhone 6 loaded up with a mysterious Albino Rhino Go! app.

Unable to resist retro-game tech, our bored heroes thunk this new-old Jumanji into a vintage console, select the characters they wish to play, and then, ka-blammo, all get sucked into the game itself — and into the bodies of their in-game avatars. The freshest element here is body-swap comedy, which finds a high school schlemiel (Alex Wolff) inhabiting the man-mountain that is Dwayne Johnson, a selfie-obsessed popular girl (Madison Iseman) mired in the form of Jack Black, and a cocksure football king (Ser’Darius Blain) who gets stuck as Kevin Hart.Watch Jumanji: Welcome to the Jungle Online, Johnson gets to yammer antsily and express doubt about his abilities, which is good for a couple of laughs. Black, pitching his voice high and complaining about being fat and middle-aged, attempts to find the inner-life-of-a-blonde cliché. Expect much spirited talk about penises: Hart’s celebrates his; Black’s teen is creeped out by hers but then thrilled at its convenience. The material is often weak, but the stars earn their paychecks.

A final teen, a bright but awkward young woman (Morgan Jeanette Turner), gets embodied by Karen Gillan, whose short shorts and midriff-baring T-shirt are flimsily justified by the filmmakers — Jake Kasdan and a boatload of credited writers — as satire. Gillan, after all, is playing a Nineties video-game heroine. Like Johnson, she plays up a teen’s delight and discomfort in inhabiting a powerful, pixel-perfect adult body, and the film’s funniest scene involves this uncertain kid trying to learn to pilot that body alluringly.Watch Jumanji: Welcome to the Jungle Online, Coached by Black’s character, the young woman inside Gillan has to try to do all the flirty things that supposedly distract men — toss her hair, suck on her lips, laugh at nothing — and Gillan spazzes mightily, playing the moment like the funniest fifteen-year-old you’ve ever met parodying pageant queens at a slumber party.

Oh, and Nick Jonas shows up.

You might note that that has nothing to do with the Jumanji basics of stampedes and dice rolls. (The Last Jedi wins this holiday season’s animals-run-amok sweepstakes.) This movie insists, on occasion, that it’s satirizing the conventions of video games, and there’s an occasional joke about having a set number of lives, or nonplayer characters who endlessly repeat their two voice-acted lines. But the filmmakers don’t commit to the bit. The actual adventure that the teens must guide their adult movie-star bodies through has nothing to do with the logic or mechanics of games from the Nineties or today.Watch Jumanji: Welcome to the Jungle Online, Rather than using platform-jumping, indiscriminate slaughter, and the slow accumulation of skills and weapon upgrades, the players succeed by learning to believe in themselves and to trust one another. These are standard-issue screenplay ideas with nothing to do with video games or Van Allsburg. Rather than wild, the jungle here is about team-building, friend-making, and occasional action scenes whose gist you may get from the blur of movement. To describe it for another sentence would be to waste your time and mine.

Watch Jumanji: Welcome to the Jungle Online - Full Movie Burn to DVD

It’s hard to say whether “Jumanji: Welcome to the Jungle,” about a group of teenagers who turn into videogame characters, is a sequel to the 1995 Robin Williams hit “Jumanji,” a remake, a reboot, or something else.Watch Jumanji: Welcome to the Jungle Online, But it’s definitely the kind of movie that works the name of a classic rock song into its title and makes sure to blast it during the end credits, so that people who were in their twenties during the 1990s and now have kids of their own (and probably took them to this film) can feel that Pavlovian tingle.

That description makes the new “Jumanji” sound like a cash-grab, and in lot of ways it is—studios are so enamored with the notion that pre-existing intellectual properties are box office insurance that they’re far more likely to greenlight this than something genuinely new, even though exactly no one has spent the last two decades saying, “I wish somebody would make another ‘Jumanji.’” At the same time, though, this is a likable, funny diversion, and sometimes more than that.Watch Jumanji: Welcome to the Jungle Online, It has enough twists and surprises to pull viewers along, despite the fact that writer-director Jake Kasdan’s story (co-written with four people) is ultimately not much meatier than the one from a 1990s videogame that the characters end up inhabiting after getting sentenced to a “Breakfast Club”-type detention at school. (In the original film, the titular diversion is an old-fashioned board game, just like in the source material, Chris van Allsburg’s popular children’s book.)

The protagonists here are Spencer (Alex Wolff), an earnest nerd; Spencer’s onetime best friend Fridge (Ser’Darius Blain), a football star who ends up grounded after authorities realize Alex wrote a homework assignment for him; Bethany (Madison Iseman), a classic snotty Heather-type who’s addicted to her smartphone and takes selfies constantly; and the bookish, socially anxious Martha (Morgan Turner). They all have insecurities and issues. Once they end up inside the Jumanji videogame, these same characters are played by Dwayne Johnson (as Spencer the nerd); Kevin Hart (as Fridge the jock); Karen Gillan (as the super-fit avatar of Martha), and Jack Black, of all people,Watch Jumanji: Welcome to the Jungle Online, as Bethany. There are supposed to be five characters in the game-space, though, and we meet the fifth in due time: Alex Vreeke (Nick Jonas), who is introduced as an energetic teenager in the film’s 1996 prologue, only to get sucked into the game and become The Local Missing Boy whose endlessly grieving family still lives in their now-decrepit house.

The body-switching gag threatens to wear out its welcome quickly (hah ha, the scrawny nerd looks like Dwayne Johnson now, and the awkward girl has washboard abs!), but the actors take their assignments to play teenagers so seriously that the film surfs along on a wave of poker-faced earnestness, mixing moments of pathos in with its super-broad slapstick. (Except for Dan Castellaneta’s Homer Simpson, nobody screams in pain more hilariously than Kevin Hart.) At certain points you might feel as though you’re watching the longest, most lavishly produced “Saturday Night Live” sketch ever, complete with lush jungle scenery (the film was shot partly on location in Hawaii) and attacks by CGI hippos, rhinos, monkeys, crocodiles and the like.Watch Jumanji: Welcome to the Jungle Online, But since the entire thing plays like a 10-year old’s Disney Channel fantasy of what adolescence will be like, it works well enough, especially when coupled with intense discussions of the game’s rules (how many lives you get, how many levels there are, how to lift the curse from the land, etc).

Both the videogame’s construction and its gender politics are very ‘90s. The movie is aware of this and makes fun of it, though there’s a bit of an eat-your-cake-and-have-it-too aspect to the way it puts Johnson and Gillan's bodies on display. There are occasional jolts of mayhem, thanks mainly to the motorcycle-riding ninjas who do the bidding of the movie’s villain John Van Pelt (Bobby Cannavale), a demonic figure who wants to control the Jaguar’s Eye and claim dominion over the land. The action scenes are constructed with a bit of panache and manage to be exciting though you’re never seriously worried that any major character is going to lose all of their lives.Watch Jumanji: Welcome to the Jungle Online, Kasdan, a veteran filmmaker who happens to be the son of “Raiders of the Lost Ark” and “The Empire Strikes Back” screenwriter Lawrence Kasdan, has an old-school sense of how to build those kinds of sequences. The shots are thoughtfully composed, for the most part, and you always know where you are and what's at stake from moment to moment.

The script’s scenarios allow for charming, often faintly surreal funny character moments, as when Black’s round yet flouncy Bethany instructs Gillan’s super-fit but still physically awkward Martha on how to be sexy. Black’s "hey, sailor" walk evokes Bugs Bunny in drag, and Gillan’s subsequent “seductive” dance to distract some guards looks as if she’s trying to shake sand out of her shorts while simultaneously dealing with a bad case of swimmer’s ear.Watch Jumanji: Welcome to the Jungle Online, The film doesn’t have the nerve to follow some of its more subversive ideas (such as Bethany lusting after Alex) to their logical conclusions, probably because this is an expensive project that’s terrified of alienating a certain sector of the public (imagine the walkouts if Jack Black lip-locked with Nick Jonas in something other than a CPR situation). But it’s still more surprising in more ways than it had to be, and the performers are clearly having such fun playing insecure teenagers that you stay involved even when the thinness of the enterprise becomes undeniable. This is a two-and-a-half star movie, honestly, bumped up a notch because the actors are likable, the film doesn’t have a cruel thought in its head, and the sentimental finale feels earned.